HANNAH RYGGEN-SALENSvensk-norske Ha

HANNAH RYGGEN-SALEN
Svensk-norske Hannah Ryggen (1894-1970) er en av 1900-tallets mest særegne og toneangivende kunstnere. Motivene i Ryggens vevnader gir uttrykk for et sterkt politisk engasjement, og er visualiseringer av hennes reaksjoner på samtidige, politiske begivenheter fra 1930-tallet og fram til hennes død i 1970. Formmessig representerer verkene en fornyelse av tekstilkunsten. Hannah Ryggens kunst er stadig aktuell, noe som kommer til uttrykk gjennom hyppige forespørsler om lån fra museer i inn- og utland.
Nordenfjeldske Kunstindustrimuseum stiller for tiden ut Hannah Ryggens teppe Vi lever på en stjerne (1958). Da regjeringsbygningen ble angrepet 22. juli 2011, fikk verket en flenge i nedre del. Selv etter nøyaktig restaurering er arret etter flengen synlig. Såret i det poetiske og kjærlighetsfylte motivet kan leses som et symbol på såret i en hel nasjon etter terrorhandlingene.

Resultater (engelsk) 1:

HANNAH BACK-HALLThe Swedish-Norwegian Hannah back (1894-1970) is one of the 20th century's most distinctive and influential artists. The commentary in my back woven fabrics gives the expression of a strong political engagement, and are visualizations of her reactions to contemporary political events from the 1930s until her death in 1970. With the works represents a renewal of the textile arts. Hannah my back art is increasingly topical, which is expressed through the frequent requests for loans from museums in Norway and abroad.Nordenfjeldske decorative arts museum are asking for time out Hannah my back blanket we live on a star (1958). When the Government building were attacked 22. July 2011, got the work a gash in the lower part. Even after the exact restoration is the scar after the tear is visible. Wounded in the poetic and love the age of the subject can be read as a symbol of the wound in an entire nation after the terrorist actions.

Resultater (engelsk) 2:

HANNAH BACK-HALL
Swedish-Norwegian Ryggen (1894-1970) is one of the 1900s most distinctive and influential artists. The motives in Ryggen Woven expresses a strong political commitment, and visualizations of her reactions to contemporaries, political events from the 1930s until her death in 1970. In terms represents a renewal works of textile art. Hannah Ryggen art is increasingly topical, which is expressed through frequent requests for loans from museums in Norway and abroad.
Decorative Arts sets currently out Hannah Ryggen carpet We live on a star (1958). When government building was attacked on 22 July 2011, received work is a gash in the lower part. Even after accurate restoration is scar gash visible. Wounded in the poetic and love-filled design can be read as a symbol of wounded in a nation after the terrorist attacks.

Resultater (engelsk) 3:

Hannah BACK-parlor
Swedish/Norwegian Hannah back (1894-1970) is one of 1900'S most distinctive and truly believe artists. Subjects in Ryggens vevnader expresses a strong political commitment, and visualizations of her reactions to the simultaneous, political events from the 1930s and until her death in 1970. Formmessig represents plants a renewal of tekstilkunsten.Hannah Ryggens art is increasingly relevant, something that comes to expression through frequent requests for loans from museums in Norway and abroad.
Nordenfjeldske Norway Museum of Decorative Art sets for time out Hannah Ryggens carpet we live on a star (1958). Then regjeringsbygningen was attacked 22 July 2011, was formed a flenge on the lower part. Even after the exact restoration is scarred after flengen visible.Wounded in the poetry of his lyrics and amorous subject can be read as a symbol of his wound in a whole nation after terror bombings.